Hey, all...guess what? That's right...revisions still haven't started on the next chapter. Life is complicated right now and I am barely keeping up as is. So, you'll just have to be satisfied with this bit. One more look into my addled brain about the beginning of the series and how it has changed.
Promise, next week or the week after, my workload should be down significantly so writing can begin. Still probably won't have anything till December, but I'll at least be working on it. Hope you enjoy my look at how I adapted a mix of Judeo-Christian values and other religions into the dominant value system on the continent of Serano. This is a look at how religion should not be defined. About a scrapped idea that was scrapped not only because of the cliche, but because it did a disservice to religion in general. It's not a bad thing...not always. Anyway, give it a look
Promise, next week or the week after, my workload should be down significantly so writing can begin. Still probably won't have anything till December, but I'll at least be working on it. Hope you enjoy my look at how I adapted a mix of Judeo-Christian values and other religions into the dominant value system on the continent of Serano. This is a look at how religion should not be defined. About a scrapped idea that was scrapped not only because of the cliche, but because it did a disservice to religion in general. It's not a bad thing...not always. Anyway, give it a look
Kernel of Insight: The Wicked Priest
Right now,
part of the big thing about Chronicles of the Frozen Shade is the idea that the
dark is not necessarily evil and the light is not necessarily good. That's been a pervading theme in my work, as
I think that the best way to describe something dark is not evil, but
misunderstood or marginalized or even just different. However, an amateur trope is to try to make
one side sympathetic by making the other side almost completely corrupt,
wicked, psychotic, or what have you.
When a religious organization is involved, this is very, VERY easy to
do, as religion is a source of continuing debate and criticism the world
over. I believe Marx called it the
opiate of the masses.
Religion
and...well...moderation is not always two things that can coexist. That was a big hurdle for me in designing the
world was the mythos building. But,
that's for another time. Suffice it to
say, I originally had the priests as only being good in the prologue, which I
excised and reinvented into another chapter.
After that, they were going to be less community members and
more...reluctant guardians, I guess? I
mean, when you see Angelo and his comrades now, they're...a tad dickish, maybe,
but ultimately good people. They helped
out during the attack and while they may be strict with Daryl in her training,
I wouldn't say they're evil. However, at
one point, we were going to have a straight up MUAHAHAHAHA evil priest. Yeah...oy...
The basic
setup is you've got a priest who comes to Gesthal with his shadowy
minions. He takes an interest in Mina,
as so many do, and is somehow able to discern that she's connected to Aeon and
the others. Being a poorly written stereotype,
he believes any associated with Telnumbrans are evil, that he must purge the
evil, that it's okay to act amoral for the purpose of achieving his ends, and
does not hesitate to use coercion to suit his goals. Pretty stock villain stuff, where even the
reader goes "C'mon, villagers, how can you not see he is a bad
guy?" Yeah, subtlety is a pretty
important thing to have when writing.
Anyway, the
priest comes in, acts like a slick car salesman where he wins you over with sly
smiles, flattery, kind words, and the like, but secretly starts to watch Mina
and her friends visit Acacia, which took place during the night hours in a previous draft rather
than during the day.
One night, he follows them, gets them to open up the door, then straight
up kidnaps them. The idea being that
Aeon tolerates the girls, therefore they have a connection and he will want to
protect his own. So, the priest and his
minions basically stroll into Acacia using Mina and the others as their
shields.
Do I even
need to go on? What do you think
happens? Mina and the others manage to
somehow get away from the priests, they do their posturing about how they're
really the heroes and Mina and Aeon are the bad guys, Aeon and his comrades give
them what they deserve, end of story.
Truth be told, this was meant to show how much Aeon cared for Mina and
how integrated their lives had become, but ultimately, it didn't mesh well with
the type of story I was writing, which was a mix between slice of life, coming
of age, and dark drama with lots of fighting.
This was a turn that I didn't care for and it never survived the draft
it had been incorporated in.
However, it
is noteworthy because it made me re-examine how I was handling the
priests. While the religions at play in
Chronicles of the Frozen Shade are different in a number of aspects from
Christianity, and actually might have more to do with a mix of Hindu and
Buddhist ideals, there are some pretty heavy shades of Christianity throughout,
which also is due to the fantasy tropes of the cleric, which I draw a lot of
inspiration from in the designs of some characters. Religion in and of itself isn't really
evil. It can be highly misguided, but it
is meant to inspire hope in the masses, and to that end, it's practitioners,
unless swayed by really bad teachers, tend to be decent, upstanding people.
I wanted to
get that across. So, that went a long
way into several future characters I'm writing, and even into Angelo a little,
who became a bit of a jerk near the end of other drafts. The religion at play here I DO hope to get a
chance to explain at some point, because I think it's very interesting, with
gods, the dragons, who don't act as gods do, an overriding goddess figure, and
a human messianic figure, all interwoven into a similar pantheon, just
interpreted differently by various cultures.
While this
is meant to be a pseudo commentary piece, it's above all else meant to be a fun
story, Mina's story, so best not to resort to stereotypical religious stuffs
that don't advance the plot and don't really make much sense from any
perspective. I mean, think about it...a
guy like I was writing who was super amoral...in a religion that still holds
sway over the populace, someone like that would be hard pressed to survive
because at least a few of his superiors would be honorable people who'd boot
his ass out in a second.
I didn't
want the religious figures here to become crusaders or Warhammer 40k
fanatics. It's been a while since I
played Warhammer 40k, but I love the mythos and...their god/emperor is so
highly venerated that anything in his name is okay. And that kind of dystopian religion works for
their universe at war setting, but not in something smaller in scope and
scale. Worse is that the emperor in 40k
never wanted to be venerated to the point where thousands die each day to
sustain him and millions die each day, branded heretics or traitors, with a
legion of super soldiers to enforce the will of his proxies.
I didn't
want another Spanish Inquisition.
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